Showing posts with label Rodchenko. Show all posts
Showing posts with label Rodchenko. Show all posts

Friday, 2 March 2012

Copernicus Films: Russian Theatre Film Project


THE RUSSIAN AVANT-GARDE – REVOLUTION OR RENAISANCE: SERIES OF SIX FILMS
New Arts Documentary Film "Stanislavsky and the Russian Theatre" from Copernicus Films
Finally, after much tweaking and adjusting, the documentary film “Stanislavsky and the Russian Theatre” has been released on DVD after a successful launch and premiere at the Barn Theatre of the Rose Bruford College of Theatre and Performance.
The film, about the life and work of the Russian theatre director Stanislavsky was completed with the cooperation of the Stanislavski Centre in the UK.
Making use of the extensive archive of The Stanislavski Centre the film explores the main precepts of Stanislavsky's theories. The film features interviews with Jean Benedetti and Anatoly Smeliansky of The Moscow Art Theatre (MXAT), two of the foremost authorities working in the field of Stanislavsky studies.
“Stanislavsky and the Russian Theatre” attempts to highlight Stanislavsky’s humanism, arising from his background and how his views were formed by the social context into which he was born, and his subsequent difficulties in developing his system during a time when the avant-garde tendencies of theatre and the avant-garde itself appeared to devalue the human in culture.
After a decade working in the film and television industry in the UK, Michael Craig travelled to Moscow in 1995 to make films and write where he has lived and worked ever since. He made the first documentary film in the series "Alexander Rodchenko and the Russian Avant-garde" in 1999 which premiered at the Milan International Film Festival (MIFF) and was shown on British Television. From here he embarked on series of films about the Russian Avant-garde of the 1920s and 30s:
The "Stanislavsky and the Russian Theatre" can be found on Amazon on DVD or check www.copernicusfilms.com for more detailed information about the film and distribution: or e-mail: copernicusfilms@yahoo.co.uk.

Wednesday, 1 February 2012

Alexander Rodchenko at Palazzo delle Esposizioni in Rome


Aleksandr Rodchenko was undoubtedly one of the main generators of this creative and intellectual season, reflecting the spirit and the mythical aura.
Design, theater, painting, film, graphics and photography are subject areas in which the exceptional talent of this fascinating figure artist was confronted, opening up new creative paths for the subsequent development of each of them.
Alexander Rodchenko Portrait of mother (1924)
It was in 1924 that Rodchenko concentrated its main focus on photography, with the result of producing a vigorous change.
From a simple mean of recording reality, photography became a medium for dynamic representation of intellectual constructs, introducing principles of constructivist ideology.
The "Method Rodchenko," which included the use of diagonal compositions, progressive blurs, turned with time into a repertoire of "rhetorical devices" available to those artists who, by adopting the language of constructivism, believed in the possibility of a better transformation of the world's civilization.
Lilya Brik in Alexander Rodchenko’s poster for the Soviet publisher Gosizdat, 1924  
Mostra organizzata da Moskow House of Photography Museum 
A cura di Olga Sviblova 
11 ottobre 2011 - 8 gennaio 2012 http://www.palazzoesposizioni.it/MediaCenter/FE/CategoriaMedia.aspx?idc=544&explicit=SI