Monday, 28 November 2011

Russian Art Week in London


Sotheby’s - November 28 – Important Russian Art 
Sotheby’s - November 29 – Russian Painting
Sotheby’s - November 30 - Russian Works of Art, Fabergé and Icons
Christie's – November 28 – Russian Art
Bonhams - November 30 - Russian Sale
MacDougall's – December 1 - Russian Art Auctions


SOTHEBY'S: The Important Russian Art Evening Auction on Monday, 28 November 2011 will comprise exceptional paintings by artists including Konstantin Makovsky, Petr Konchalovsky, Konstantin Korovin, Natalia Goncharova and Niko Pirosmani, as well as the superb Collection of Arthur Ferdinand Hamann. The Important Private Collection of Works by Alexander Benois on Tuesday, 29 November 2011 is a stand-alone sale of the artist’s most outstanding and intimate works. The Paintings and Works of Art, Fabergé & Icons auction on Tuesday and Wednesday, 29 and 30 November 2011 features some spectacular treasures, including several of Imperial provenance.


Petr Konchalovsky, Tatar Still Life. Oil on canvas, 89.5cm by 106.8cm, Estimate: £500,000-700,000. Photo: Sotheby's


Petr Konchalovsky’s exceptionally rare, pre-revolutionary painting Tatar Still Life, dated 1916 is estimated at £500,000-700,000. It first belonged to influential Polish art critic Waldemar George who presented the painting as a wedding gift to Louis Gautier-Chaumet, editor-in-chief of “La Presse" newspaper, where George served as art critic. The still life was executed at the height of Konchalovsky’s creative output, several years after he founded the Jack of Diamonds artists’ society, which pioneered the Russian avant-garde. Konchalovsky and his peers were deeply influenced by the works of Paul Cézanne, and their innovative form of Russian Cézannism finds its most vivid expression in this distinctive work of art. 


Petr Konchalovsky’s exceptionally rare, pre-revolutionary painting Tatar Still Life, dated 1916 is estimated at £500,000-700,000. It first belonged to influential Polish art critic Waldemar George who presented the painting as a wedding gift to Louis Gautier-Chaumet, editor-in-chief of “La Presse" newspaper, where George served as art critic. The still life was executed at the height of Konchalovsky’s creative output, several years after he founded the Jack of Diamonds artists’ society, which pioneered the Russian avant-garde. Konchalovsky and his peers were deeply influenced by the works of Paul Cézanne, and their innovative form of Russian Cézannism finds its most vivid expression in this distinctive work of art. 


http://www.artdaily.org/index.asp?int_sec=11&int_new=51954

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